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Угощението на Джон Сатърнъл
Англия, 1625 година. В затънтеното село Бъкланд припяваща тълпа прогонва Сюзан Сандъл като вещица. Тя бяга със сина си Джон и двамата намират убежище в древна гора. В нейните дебри жената разтваря книгата си и започва да му разказва за угощение, пазено в тайна през поколенията. То е наследството на Джон. Студът обаче погубва майка му и останал сирак, той се скита сам из пущинака. По заръка на покойната местният свещеник го изпраща в имението на сър Уилям Фримантъл.
Там момчето става кухненски чирак и овладява тайните на готварството под вещите напътствия на майстор Сковъл. Твърдоглавата дъщеря на сър Уилям, Лукриша, отказва да се храни и Джон е назначен за неин готвач. Бавно между тях се заражда връзка. Но избухва Гражданската война и той е призован на бойното поле. Съдбата и един древен завет заплашват да разделят Джон и Лукриша.
В “Угощението на Джон Сатърнъл” авторът преплита факти и митове, за да разкаже една забележителна история за живота, любовта и войната през ХVІІ век.
Лорънс Норфък е роден в Лондон, но като дете живее в Ирак. Завършва английска и американска литература в Кралския колеж в Лондон, след което работи като учител и журналист на свободна практика. Големият му успех в литературата идва още с първия му роман “Речникът на Ламприер”, за който получава наградата “Съмърсет Моъм”. “Угощението на Джон Сатърнъл” е четвъртата му книга, написана след дванайсетгодишно мълчание. Тя излиза у нас броени дни след световната й премиера.
Там момчето става кухненски чирак и овладява тайните на готварството под вещите напътствия на майстор Сковъл. Твърдоглавата дъщеря на сър Уилям, Лукриша, отказва да се храни и Джон е назначен за неин готвач. Бавно между тях се заражда връзка. Но избухва Гражданската война и той е призован на бойното поле. Съдбата и един древен завет заплашват да разделят Джон и Лукриша.
В “Угощението на Джон Сатърнъл” авторът преплита факти и митове, за да разкаже една забележителна история за живота, любовта и войната през ХVІІ век.
Лорънс Норфък е роден в Лондон, но като дете живее в Ирак. Завършва английска и американска литература в Кралския колеж в Лондон, след което работи като учител и журналист на свободна практика. Големият му успех в литературата идва още с първия му роман “Речникът на Ламприер”, за който получава наградата “Съмърсет Моъм”. “Угощението на Джон Сатърнъл” е четвъртата му книга, написана след дванайсетгодишно мълчание. Тя излиза у нас броени дни след световната й премиера.
414 pages, Paperback
First published September 1, 2012
About the author
Lawrence Norfolk
26 books102 followersLawrence Norfolk (born 1963) is a British novelist known for historical works with complex plots and intricate detail. His novels are also known for their unusually large vocabulary.
He was born in London but lived in Iraq until 1967 and then in the West Country of England. He read English at King's College London and graduated in 1986. He worked briefly as a teacher and later as a freelance writer for reference book publishers.
In 1992, he won the Somerset Maugham Award for his first novel, Lemprière's Dictionary, about events surrounding the publication, in 1788, of John Lemprière's Bibliotheca Classica on classical mythology and history.
His second novel, The Pope's Rhinoceros, is based on the history of an actual animal also known as Dürer's Rhinoceros. Themes in the work include the lost city of Vineta, the sack of Prato, and the Benin bronze-making culture on the river Niger.
He was born in London but lived in Iraq until 1967 and then in the West Country of England. He read English at King's College London and graduated in 1986. He worked briefly as a teacher and later as a freelance writer for reference book publishers.
In 1992, he won the Somerset Maugham Award for his first novel, Lemprière's Dictionary, about events surrounding the publication, in 1788, of John Lemprière's Bibliotheca Classica on classical mythology and history.
His second novel, The Pope's Rhinoceros, is based on the history of an actual animal also known as Dürer's Rhinoceros. Themes in the work include the lost city of Vineta, the sack of Prato, and the Benin bronze-making culture on the river Niger.
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Displaying 1 - 30 of 402 reviews
February 9, 2020
This is a delightful book that I liked very much, but not without reservation. The premise of a universal Feast, the feast of life that dates back to a time before the Romans was a fascinating one, but it got lost in the welter of detail about the many more mundane feasts of a great house in the seventeenth century. The everyday story, of John’s slow rise from scullery boy to head cook and his unrequited love for the spoiled and wilful lady of the house was slow to unfold, but quietly fascinating. For a while, I became completely enveloped in the gentle pace of these lives, lived by the seasons and the days of feast and fast.
But the pacing is odd. It starts out very slow, with John’s early life, as he learns to read, learns of meadow herbs and seasonings and how to cook - from his mother and from a near-sacred book, learning about ‘The Feast’. There’s an almost aching attention to detail, but so beautifully described that the lack of a solid story hardly seems to matter. This slow pace continues as John leaves his home to learn how to cook in the kitchens of the great house where his mother learned her art, then everything suddenly speeds up as we race through the Civil War and John leaves to fight for the king, then hits breakneck speed; John leaves the house for – who knows where? His years away are omitted completely. And then he returns for something of a predictable end.
Maybe the pace is meant to reflect the times? The daily round for the people in those days must have been as predictable, as un-changing as the seasons and holy calendar that confined and consumed their lives. The sudden advent of war – and such a terrible war, bringing with it unimaginable destruction, undreamed of change – must have come like a bolt of cruel lightning, burning everything ever-known and replacing it with harsh religion and cold misery. If this was Lawrence Norfolk’s intention, I have to say, I don’t truly think it works. I personally loved the slow un-folding of the pre-war chapters with all their fine-worked details, the sudden change of pace and omitting of important chapters in his protagonist’s life was just confusing.
For all its fine-crafted beauty, there is something empty at the heart of this book. There’s a wealth of detail about the things that go on, but very little depth of feeling because the characters never really came alive - and there are some marvellous characters: the childhood sweetheart subsumed into the church, the manic puritan priest, the foppish wastrel suitor, and Heron Boy! Who was heron boy? Where did he come from, what was his story? I would have loved to know. All of the characters could have been magnificent, but none of them came fully fleshed, they all seemed devices to hang the story and the details on. John Saturnall was the most nebulous of all, he seemed somehow colourless and ghostly; at times I felt I could see right through him. So much happens to this man, but there’s never any sense of anticipation, of wondering or conjecturing what might happen next, because he never felt like a real man to me and so nothing he said or did could move me.
And after all my moaning, you’re probably wondering why I’ve given this book 4 stars. Three stars would simply not do it justice; there’s a beauty in the language and a depth of intricate detail that’s astonishing and lovely. I did enjoy it very much, but couldn’t love it.
But the pacing is odd. It starts out very slow, with John’s early life, as he learns to read, learns of meadow herbs and seasonings and how to cook - from his mother and from a near-sacred book, learning about ‘The Feast’. There’s an almost aching attention to detail, but so beautifully described that the lack of a solid story hardly seems to matter. This slow pace continues as John leaves his home to learn how to cook in the kitchens of the great house where his mother learned her art, then everything suddenly speeds up as we race through the Civil War and John leaves to fight for the king, then hits breakneck speed; John leaves the house for – who knows where? His years away are omitted completely. And then he returns for something of a predictable end.
Maybe the pace is meant to reflect the times? The daily round for the people in those days must have been as predictable, as un-changing as the seasons and holy calendar that confined and consumed their lives. The sudden advent of war – and such a terrible war, bringing with it unimaginable destruction, undreamed of change – must have come like a bolt of cruel lightning, burning everything ever-known and replacing it with harsh religion and cold misery. If this was Lawrence Norfolk’s intention, I have to say, I don’t truly think it works. I personally loved the slow un-folding of the pre-war chapters with all their fine-worked details, the sudden change of pace and omitting of important chapters in his protagonist’s life was just confusing.
For all its fine-crafted beauty, there is something empty at the heart of this book. There’s a wealth of detail about the things that go on, but very little depth of feeling because the characters never really came alive - and there are some marvellous characters: the childhood sweetheart subsumed into the church, the manic puritan priest, the foppish wastrel suitor, and Heron Boy! Who was heron boy? Where did he come from, what was his story? I would have loved to know. All of the characters could have been magnificent, but none of them came fully fleshed, they all seemed devices to hang the story and the details on. John Saturnall was the most nebulous of all, he seemed somehow colourless and ghostly; at times I felt I could see right through him. So much happens to this man, but there’s never any sense of anticipation, of wondering or conjecturing what might happen next, because he never felt like a real man to me and so nothing he said or did could move me.
And after all my moaning, you’re probably wondering why I’ve given this book 4 stars. Three stars would simply not do it justice; there’s a beauty in the language and a depth of intricate detail that’s astonishing and lovely. I did enjoy it very much, but couldn’t love it.
March 28, 2017
“Kings raise their Statues and Churchmen build Cathedrals. A Cook leaves no Monument save Crumbs. His rarest Creations are scraped by Scullions. His greatest Dishes are destined for the Dung-heap.”
John Saturnall's Feast is a witch’s brew of a novel…
With its plenitude of culinary adventures and the mystery of the fatherhood it lies somewhere between Wilhelm Hauff’s fairytale Dwarf Long-Nose and The Quincunx by Charles Palliser…
Also it is a story of the forbidden love… The forbidden fruit from the tree of the knowledge was the only dish that Eve served Adam.
“‘But their enemies came,’ his mother continued. ‘They worshipped a different god. A jealous god. His priests called him Jehovah. They condemned Saturnus as a false idol who had led his people into sin. Their amity was lust, the priests said. Their ease was sloth. The Feast was greed.’”
So now it’s time to reclaim amity, ease, joy and Feast…
John Saturnall's Feast is a witch’s brew of a novel…
With its plenitude of culinary adventures and the mystery of the fatherhood it lies somewhere between Wilhelm Hauff’s fairytale Dwarf Long-Nose and The Quincunx by Charles Palliser…
Also it is a story of the forbidden love… The forbidden fruit from the tree of the knowledge was the only dish that Eve served Adam.
“‘But their enemies came,’ his mother continued. ‘They worshipped a different god. A jealous god. His priests called him Jehovah. They condemned Saturnus as a false idol who had led his people into sin. Their amity was lust, the priests said. Their ease was sloth. The Feast was greed.’”
So now it’s time to reclaim amity, ease, joy and Feast…
September 1, 2013
The merits of this book first. It really is quite evocative in its descriptions of a cornucopian, heavily populated seventeenth-century kitchen. A lot of research has gone into this, but you don't get the 'dead hand of research effect' so common in historical novels: the details of food preparation, ingredients, recipes, arcane kitchen roles and duties are brought together in a convincing and imaginatively compelling brew (it's impossible to avoid food metaphors talking about this book). I felt that this was probably the heart of the author's vision for the book, and he brings it off superbly.
The problem for me was that this frankly isn't enough to make a novel, or not a novel of this conventional kind, anyway. A plot is needed. Norfolk does supply us with one, of a fairly conventional ilk (protagonist emerges from hideous childhood bearing the odd scar; love triumphs across class barriers; the undeserving get their dues; the deserving live happily ever after) but it's all fairly formulaic and not especially engaging. I never at any point reading this novel felt a strong desire to find out what happened next, which has to be a bad sign.
The characterization is especially weak. There are a lot of characters, but quite large numbers of them, especially in the Fremantle household in which the bulk of the novel is set, never really establish themselves as anything more than names. Of the more worked-up characters, none struck me as especially memorable. Lucretia is particularly underdeveloped, in a way that is problematic for the whole romantic element. She seems to me entirely a cipher, doing exactly what is needed for the plot at any given moment, but without any coherent character that I could discern. Some elements of her story are simply laughable, such as the supposed climactic moment near the end where she deliberately masquerades as a whorish seductress in order to put Saturnall off her and hence spare his feelings (at least, I think that's supposed to be what happens ... I must say I had rather given up on the novel by that point).
The villains are also a weak point: Clough, Marpot, Piers Callock. I didn't think anyone did completely unregenerate 'baddies', without a hint of redemptive complexity any more - or at least not three of them in a single novel. Frankly, they are clichés. Marpot is even given the arch-villainous characteristic of 'cold blue eyes' at one point, just in case we were in any doubt of his general iniquity.
I found it interesting that Nofolk's endnote spoke of the book having had a 'long and strange' route to publication, and wonder whether the very mixed quality of the resulting work has anything to do with that. It IS genuinely mixed - there are some very good things amid the less good, as I said. To be honest, though, I wouldn't say the language or the evocation of seventeenth century life were any stronger at their best than what is found in Maria McCann's As Meat Loves Salt, for example, and I found that a far superior novel to this in terms of character and plot. The Civil War background is also better exploited in McCann. It seemed rather perfunctory here.
The problem for me was that this frankly isn't enough to make a novel, or not a novel of this conventional kind, anyway. A plot is needed. Norfolk does supply us with one, of a fairly conventional ilk (protagonist emerges from hideous childhood bearing the odd scar; love triumphs across class barriers; the undeserving get their dues; the deserving live happily ever after) but it's all fairly formulaic and not especially engaging. I never at any point reading this novel felt a strong desire to find out what happened next, which has to be a bad sign.
The characterization is especially weak. There are a lot of characters, but quite large numbers of them, especially in the Fremantle household in which the bulk of the novel is set, never really establish themselves as anything more than names. Of the more worked-up characters, none struck me as especially memorable. Lucretia is particularly underdeveloped, in a way that is problematic for the whole romantic element. She seems to me entirely a cipher, doing exactly what is needed for the plot at any given moment, but without any coherent character that I could discern. Some elements of her story are simply laughable, such as the supposed climactic moment near the end where she deliberately masquerades as a whorish seductress in order to put Saturnall off her and hence spare his feelings (at least, I think that's supposed to be what happens ... I must say I had rather given up on the novel by that point).
The villains are also a weak point: Clough, Marpot, Piers Callock. I didn't think anyone did completely unregenerate 'baddies', without a hint of redemptive complexity any more - or at least not three of them in a single novel. Frankly, they are clichés. Marpot is even given the arch-villainous characteristic of 'cold blue eyes' at one point, just in case we were in any doubt of his general iniquity.
I found it interesting that Nofolk's endnote spoke of the book having had a 'long and strange' route to publication, and wonder whether the very mixed quality of the resulting work has anything to do with that. It IS genuinely mixed - there are some very good things amid the less good, as I said. To be honest, though, I wouldn't say the language or the evocation of seventeenth century life were any stronger at their best than what is found in Maria McCann's As Meat Loves Salt, for example, and I found that a far superior novel to this in terms of character and plot. The Civil War background is also better exploited in McCann. It seemed rather perfunctory here.
September 12, 2012
‘John Saturnall’s Feast’ is set near the start of the English Civil War. John is the child of a woman who is a sort of outcast; an herbalist and midwife, she lives on the outskirts of the village and doesn’t go to church. Of course this means she is thought of as a witch. When a plague runs through the village, she is blamed and they are run out of town. They take up living in a deserted house in the woods, living on late season fruit and chestnuts. She is dying, of both starvation and disease, but before she dies, she teaches John to read from a book about a strange feast held in Buccla’s Wood. It encompasses every form of food; fish, fowl, vegetables, sweets, mammals are all included, and the feast is for everyone, not just the rich as is the way of the land at the time. At her wish, after her death, he is taken to Buckland Manor where he is put to work in the vast kitchens.
John’s life changes totally. Used to being alone or with only a couple of people, he is now constantly pressed by people on all sides. He works every minute of the long day and falls directly into a sleep that never seems to be long enough. Still, given the time and place, it’s a good situation. Food is abundant here, he’s living inside, and after awhile he gets to learn cooking. He’s in a better place than a lot of people.
This is primarily a love story; a love that crosses classes and is forbidden- preserving estates and titles takes precedence over love. It’s also an adventure story; the kitchen staff marched with the lord of the manor when he went to war supporting King Charles, and they were expected to fight with the soldiers. I liked the characters. They are not likable all the time; they do stupid, human, things sometimes. But, in the end, it’s a story about food.
We might think that cooking back in those days was fairly primitive, but it wasn’t. It was actually very sophisticated. One of the culinary trends back then was to create dishes that looked like something else – parts of animals and birds sewn together to create a mythical beast, meat in pastry to look like a bird, sugar creations in the shape of just about anything. Cooks vied to create the most elaborate and surprising dishes- a sort of Iron Chef, Stuarts edition. Most of the year, the diet was rich and varied; the manor supplied fish from its own ponds, poultry, eggs, dairy products, pork, honey, wheat, fruit and vegetables (they did eat their ‘sallets’) and much was stored for winter. A stable trade system meant the upper classes enjoyed sugar and spices. The sheer amount of person power it took to feed a manor was incredible- most workers were specialists, turning the spits in the kitchen, washing the endless stream of dirty dishes, plucking fowl, managing the fish ponds, the dove cote, the hen houses, the spice room, making the salads, cutting up the meat… and all those people had to be fed, too. You can see how a book can be created around a kitchen of the era! The food, and John’s relationship to it and how he uses it to speak to the lady of the manor, is lovingly detailed, much more so, really, than the people.
Food was not always plentiful, however. It was easy to starve back then. The stark difference between the incredible plenty of the start of the story versus what they have to deal with when the Roundhead soldiers steal the food from the manor and destroy what they cannot take shows how dramatically life can change. John falls back on how he and his mother lived in the woods, and on what he learned from the book of the Feast. He is the hero of the tale, for all the people living on the manor.
What the Feast was is never made clear. It’s like a myth of a Golden Age, when all were equals and food was plentiful. Was it a pagan community that had existed in the woods before Christians arrived? Was it a myth to comfort the reader, a dream to hold onto? Did it have a direct bearing on John’s ancestors? Was the book a semi-magical teaching aid that allowed John to excel in the manor kitchens later? In the end, it doesn’t matter. It allowed John to hold on and to save the manor.
‘John Saturnall’s Feast’ is a story of cycles and renewals, both earthly as the wheel of the year turns and spiritually, as human hope and happiness comes up again and again.
John’s life changes totally. Used to being alone or with only a couple of people, he is now constantly pressed by people on all sides. He works every minute of the long day and falls directly into a sleep that never seems to be long enough. Still, given the time and place, it’s a good situation. Food is abundant here, he’s living inside, and after awhile he gets to learn cooking. He’s in a better place than a lot of people.
This is primarily a love story; a love that crosses classes and is forbidden- preserving estates and titles takes precedence over love. It’s also an adventure story; the kitchen staff marched with the lord of the manor when he went to war supporting King Charles, and they were expected to fight with the soldiers. I liked the characters. They are not likable all the time; they do stupid, human, things sometimes. But, in the end, it’s a story about food.
We might think that cooking back in those days was fairly primitive, but it wasn’t. It was actually very sophisticated. One of the culinary trends back then was to create dishes that looked like something else – parts of animals and birds sewn together to create a mythical beast, meat in pastry to look like a bird, sugar creations in the shape of just about anything. Cooks vied to create the most elaborate and surprising dishes- a sort of Iron Chef, Stuarts edition. Most of the year, the diet was rich and varied; the manor supplied fish from its own ponds, poultry, eggs, dairy products, pork, honey, wheat, fruit and vegetables (they did eat their ‘sallets’) and much was stored for winter. A stable trade system meant the upper classes enjoyed sugar and spices. The sheer amount of person power it took to feed a manor was incredible- most workers were specialists, turning the spits in the kitchen, washing the endless stream of dirty dishes, plucking fowl, managing the fish ponds, the dove cote, the hen houses, the spice room, making the salads, cutting up the meat… and all those people had to be fed, too. You can see how a book can be created around a kitchen of the era! The food, and John’s relationship to it and how he uses it to speak to the lady of the manor, is lovingly detailed, much more so, really, than the people.
Food was not always plentiful, however. It was easy to starve back then. The stark difference between the incredible plenty of the start of the story versus what they have to deal with when the Roundhead soldiers steal the food from the manor and destroy what they cannot take shows how dramatically life can change. John falls back on how he and his mother lived in the woods, and on what he learned from the book of the Feast. He is the hero of the tale, for all the people living on the manor.
What the Feast was is never made clear. It’s like a myth of a Golden Age, when all were equals and food was plentiful. Was it a pagan community that had existed in the woods before Christians arrived? Was it a myth to comfort the reader, a dream to hold onto? Did it have a direct bearing on John’s ancestors? Was the book a semi-magical teaching aid that allowed John to excel in the manor kitchens later? In the end, it doesn’t matter. It allowed John to hold on and to save the manor.
‘John Saturnall’s Feast’ is a story of cycles and renewals, both earthly as the wheel of the year turns and spiritually, as human hope and happiness comes up again and again.
July 23, 2014
Since his very notable debut some 20 years ago with Lempriere's Dictionary, Mr. Norfolk has written only one another major novel, Pope's Rhinoceros which was what I expected and more - I read it only twice across the years, but I am rereading it too now starting when I heard a few days ago about his upcoming new novel, this one, John Saturnall's Feast; as for Lempriere, maybe this time (it's at least my 10th try at it) I will manage to get into it...
Anyway, I saw the upcoming John Saturnall's Feast a few days ago on Net Galley and I obtained a review copy which I expected to take me a while to read (see above why, noting that Pope's Rhinoceros is also a pretty dense and almost 700 pages long though quite a rewarding novel that makes one understand life in Europe ~1520's better than many historical treatises, such is its superb atmosphere and the powerful style of the author).
To my surprise I almost breezed through John Saturnall's Feast as it was very hard to put down, but also it stood at about "only" 400 pages and was written in a much more accessible style - a pretty straight forward and more or less chronological narrative interspersed by fanciful "feast recipes" according to particular events of importance in the book. Actually, the style is almost sensuous in a way, though the grime and harsh realities of England from around 1630's till 1662 (with an epilogue set a decade or so later) are very much in evidence also.
The book is clearly John's story and the blurb is generally accurate, but despite that the main hero is only a "cook" rather than a knight or such, there is adventure, heroism, seduction, battles, fanatics...
The novel is also very visual - I was picturing quite a lot of it as a Peter Greenaway movie, more precisely the mixture of the period of Draughtsman's Contract and the feasting of The Cook, the Thief, His Wife and Her Lover - both movies I've watched a number of times...
Though now the cook is the lover too and he does not end on the dinner table...
Anyway a highly, highly recommended novel and a top 25 of mine for this year, while i expect I will reread it quite a few times to enjoy its atmosphere...
I also expect this one to appear on this year Booker prize longlist at the least.
Anyway, I saw the upcoming John Saturnall's Feast a few days ago on Net Galley and I obtained a review copy which I expected to take me a while to read (see above why, noting that Pope's Rhinoceros is also a pretty dense and almost 700 pages long though quite a rewarding novel that makes one understand life in Europe ~1520's better than many historical treatises, such is its superb atmosphere and the powerful style of the author).
To my surprise I almost breezed through John Saturnall's Feast as it was very hard to put down, but also it stood at about "only" 400 pages and was written in a much more accessible style - a pretty straight forward and more or less chronological narrative interspersed by fanciful "feast recipes" according to particular events of importance in the book. Actually, the style is almost sensuous in a way, though the grime and harsh realities of England from around 1630's till 1662 (with an epilogue set a decade or so later) are very much in evidence also.
The book is clearly John's story and the blurb is generally accurate, but despite that the main hero is only a "cook" rather than a knight or such, there is adventure, heroism, seduction, battles, fanatics...
The novel is also very visual - I was picturing quite a lot of it as a Peter Greenaway movie, more precisely the mixture of the period of Draughtsman's Contract and the feasting of The Cook, the Thief, His Wife and Her Lover - both movies I've watched a number of times...
Though now the cook is the lover too and he does not end on the dinner table...
Anyway a highly, highly recommended novel and a top 25 of mine for this year, while i expect I will reread it quite a few times to enjoy its atmosphere...
I also expect this one to appear on this year Booker prize longlist at the least.
September 20, 2020
"Los sacerdotes de Jehovah concebían la vida como una especie de juicio. En este mundo, los hombres se afanaban en los campos para obtener su pan. Las mujeres alumbraban sus hijos con dolor, y los fuertes dominaban a los débiles. Sólo en el reino de Jehovah tendrían fin sus tribulaciones y los únicos que podrían guiarlos hasta él eran sus sacerdotes, porque tal reino se hallaba más allá de la muerte. Así se lo enseñaban los sacerdotes al pueblo. Pero los seguidores de Saturno tenían una opinión diferente. No necesitaban sacerdotes ni guías. Sabían que no existía ningún reino después de la muerte. Y que su paraíso estaba aquí.".
La premisa del libro es buena, un festín legendario que se va heredando de generación en generación, pero la ejecución no la entiendo. Es como si hubiera poco tema y el autor lo alargó todo lo que pudo porque a veces da vueltas y vueltas con las cocinas de Buckland y la elaboración de las comidas a los dueños de la mansión y la verdad, cansa. Es un libro muy bellamente ilustrado, con recetas antiguas al empezar cada capítulo (como en Como Agua para chocolate) que son imposibles de llevar a cabo y la segunda guerra civil inglesa (1648-1649) como telón de fondo en gran parte de la narración. La cerrazón religiosa de la época la clava, es lo mejor de la novela.
La premisa del libro es buena, un festín legendario que se va heredando de generación en generación, pero la ejecución no la entiendo. Es como si hubiera poco tema y el autor lo alargó todo lo que pudo porque a veces da vueltas y vueltas con las cocinas de Buckland y la elaboración de las comidas a los dueños de la mansión y la verdad, cansa. Es un libro muy bellamente ilustrado, con recetas antiguas al empezar cada capítulo (como en Como Agua para chocolate) que son imposibles de llevar a cabo y la segunda guerra civil inglesa (1648-1649) como telón de fondo en gran parte de la narración. La cerrazón religiosa de la época la clava, es lo mejor de la novela.
March 28, 2020
По някаква причина се заинатих и дочетох книгата. Не е моята книга, нито моя автор, твърде сложна и странна за моя простичък ум. Това беше дълго и мъчително четене. Вероятно не съм дорасла и едва ли в този живот ще ми стигне времето и силите за подобен род четива.
Да не говорим , че имената в книгата могат да стигнат за издаване на нов английски именик.
Да не говорим , че имената в книгата могат да стигнат за издаване на нов английски именик.
August 2, 2012
Lawrence Norfolk's elegantly written JOHN SATURNALL'S FEAST is utterly
captivating. An interest in history or the 17th century is not necessary to
become completely swept away by the story - a testament to Norfolk's magic.
One needs only a desire to read a beautifully constructed story of a boy who
desperately struggles to stay alive in his young life. He is the boy who
emerges from a tragedy in ancient woods only to be thrown into the kitchen
of Buckland Manor where he must earn the right to use his talent. We cheer
him on as he labours to become the greatest chef, to create the most
complicated and magnificent dish, to oversee the most important feast. John
Saturnall is the boy who becomes a man in the face of another struggle for
the love a forbidden woman and their survival amidst his enemies and the backdrop of the
Civil War.
This is an artful, carefully wrought novel. The extraordinary
descriptiveness on each page is a joy. Each character is authentic. Norfolk
has written a book that lingers and enthrals.
captivating. An interest in history or the 17th century is not necessary to
become completely swept away by the story - a testament to Norfolk's magic.
One needs only a desire to read a beautifully constructed story of a boy who
desperately struggles to stay alive in his young life. He is the boy who
emerges from a tragedy in ancient woods only to be thrown into the kitchen
of Buckland Manor where he must earn the right to use his talent. We cheer
him on as he labours to become the greatest chef, to create the most
complicated and magnificent dish, to oversee the most important feast. John
Saturnall is the boy who becomes a man in the face of another struggle for
the love a forbidden woman and their survival amidst his enemies and the backdrop of the
Civil War.
This is an artful, carefully wrought novel. The extraordinary
descriptiveness on each page is a joy. Each character is authentic. Norfolk
has written a book that lingers and enthrals.
August 16, 2012
It's interesting, because I've come across a controversial subject two days in a row in reading. John Saturnall's Feast, while being a fabulous story (and one that had me drooling), carries the honor of being a historical novel and as such, will get a little more leeway from me.
So what is that controversial subject? It's rape, folks. It happens in books, I get it. My issue is when it happens and we're supposed to just forget about it and move on, much like the women characters who experience it in the books. Now, I know in the time period this book is set in, rape happens. It happened then, and I know for sure those women then did not have the resources and information we have today about it's lasting effect. They were just affected, and then they moved on. So this paragraph is all I'll say on the subject. I wish Lawrence Norfolk had given Lucretia a bit more respect and had her maybe, I dunno, wait a little while longer to move forward on any sort of physical relationship, but that's my modern sensibilities kicking in.
As for the rest of the book? It was fantastic. Each chapter began with 17th century (I believe?) writing about the preparation of a feast. People, I didn't know half of the ingredients as they were being described, but my mouth was watering. And then there came whatever gelatin concoction John made - it sounded MAGNIFICENT. And it was probably something gross like old ladies marshmallow salad at church pot lucks. But anyway, the description of the food was amazing and I was so caught up in the happenings and the vivid images that I could see everything coming to life.
I think this would be a fabulous book club read. There's so much discuss-able material and quite a few historical events are touched on that really centered the story and brought it to life.
So what is that controversial subject? It's rape, folks. It happens in books, I get it. My issue is when it happens and we're supposed to just forget about it and move on, much like the women characters who experience it in the books. Now, I know in the time period this book is set in, rape happens. It happened then, and I know for sure those women then did not have the resources and information we have today about it's lasting effect. They were just affected, and then they moved on. So this paragraph is all I'll say on the subject. I wish Lawrence Norfolk had given Lucretia a bit more respect and had her maybe, I dunno, wait a little while longer to move forward on any sort of physical relationship, but that's my modern sensibilities kicking in.
As for the rest of the book? It was fantastic. Each chapter began with 17th century (I believe?) writing about the preparation of a feast. People, I didn't know half of the ingredients as they were being described, but my mouth was watering. And then there came whatever gelatin concoction John made - it sounded MAGNIFICENT. And it was probably something gross like old ladies marshmallow salad at church pot lucks. But anyway, the description of the food was amazing and I was so caught up in the happenings and the vivid images that I could see everything coming to life.
I think this would be a fabulous book club read. There's so much discuss-able material and quite a few historical events are touched on that really centered the story and brought it to life.
March 9, 2015
Ne znam zašto sam uopće ovu knjigu uzela u knjižnici, iako nisam pročitala niti njen kratak sadržaj. Iskreno, privukla me njena naslovnica, te pisac o kome sam nedavno čitala.I što reći na sve to? Nisam nimalo požalila, jer je ova knjiga zaslužila svaki minut mog uloženog vremena.
Radnja romana događa se u Engleskoj u 17. stoljeću, točnije priča počinje 1625. godine i vodi nas kroz razdoblje vladavine Karla l, opisuje engleski građanski rat, te obnovu monarhije.
Glavni lik romana je dječak John Saturnall , koji živi s majkom koja je travarica, vidarica i koja poznaje trave i različite biljke, a uz to umije i čitati, te je zbog svega toga smatraju vješticom. Budući da žive u malom, engleskom selu i u vrlo pobožnoj sredini , njihov način života ne odgovara visokomoralnim ljudima na položaju, te je zbog svega toga John osuđen na maltretiranje lokalne djece, a kasnije i odraslih.Kada u selu izbije epidemija bolesti, John i njegova majka budu protjerani, a njihova koliba spaljena.
Te hladne zime u Bucklandovoj šumi, majka mu umire od gladi i hladnoće. Prije smrti ostavlja mu knjigu koju je ponijela sa sobom, a u kojoj je opisana drevna Saturnova Gozba, drugim riječima rajska gozba, koju su štovali i pripremali sljedbenici Adama i Eve. Johnu daje zadatak da nastavi veličati Gozbu.
Nakon toga, dječak odlazi u dvorac Buckland gdje od običnog perača posuđa, postaje izvrstan kuhar zbog iznimnog talenta koji on naziva svojim "demonom na dnu nepca". To je prepoznavanje mirisa hrane i istančan ukus za jela. I ne samo to:njegov talent da od ničega stvori sve,jednom riječju , umjetnik kulinarstva i samog kuhanja.
Naravno, postoji tu još jedna ljubavna priča koja me od samog početka zaintrigirala i tjerala na daljnje čitanje da vidim kako će se završiti.Ne kaže se badava da ljubav ide kroz želudac, ovdje sam puno puta na to pomislila, bez obzira na sam tijek događaja u knjizi.Ono što me fasciniralo u samom romanu je umijeće pisca da poveže povijesne događaje sa kulinarskim umijećem i hranom. Isto tako svaka cjelina počinje sa jako zanimljivim receptom, koji su specifični svaki na svoj način, jer govore o načinu spravljanja hrane u davnom 17. stoljeću.Moram priznati da sam se nekim receptima baš nasmijala.( Npr." riba se kuha koliko je dovoljno da izmoliš Zdravomariju", ili "zatim uzmi hladno vrhnje, topli med i ljestve..." ) Sve je to popraćeno bogatim crtežima.
Ova knjiga je jedno pravo malo bogatstvo mirisa i okusa , na koje dok ga čitate nikako nećete ostati ravnodušni.Završit ću sa jednim zanimljivim citatom iz samog kraja knjige: " Jabuka je bila sve što je Eva poslužila Adamu. Ali i to je bila Gozba. "
Radnja romana događa se u Engleskoj u 17. stoljeću, točnije priča počinje 1625. godine i vodi nas kroz razdoblje vladavine Karla l, opisuje engleski građanski rat, te obnovu monarhije.
Glavni lik romana je dječak John Saturnall , koji živi s majkom koja je travarica, vidarica i koja poznaje trave i različite biljke, a uz to umije i čitati, te je zbog svega toga smatraju vješticom. Budući da žive u malom, engleskom selu i u vrlo pobožnoj sredini , njihov način života ne odgovara visokomoralnim ljudima na položaju, te je zbog svega toga John osuđen na maltretiranje lokalne djece, a kasnije i odraslih.Kada u selu izbije epidemija bolesti, John i njegova majka budu protjerani, a njihova koliba spaljena.
Te hladne zime u Bucklandovoj šumi, majka mu umire od gladi i hladnoće. Prije smrti ostavlja mu knjigu koju je ponijela sa sobom, a u kojoj je opisana drevna Saturnova Gozba, drugim riječima rajska gozba, koju su štovali i pripremali sljedbenici Adama i Eve. Johnu daje zadatak da nastavi veličati Gozbu.
Nakon toga, dječak odlazi u dvorac Buckland gdje od običnog perača posuđa, postaje izvrstan kuhar zbog iznimnog talenta koji on naziva svojim "demonom na dnu nepca". To je prepoznavanje mirisa hrane i istančan ukus za jela. I ne samo to:njegov talent da od ničega stvori sve,jednom riječju , umjetnik kulinarstva i samog kuhanja.
Naravno, postoji tu još jedna ljubavna priča koja me od samog početka zaintrigirala i tjerala na daljnje čitanje da vidim kako će se završiti.Ne kaže se badava da ljubav ide kroz želudac, ovdje sam puno puta na to pomislila, bez obzira na sam tijek događaja u knjizi.Ono što me fasciniralo u samom romanu je umijeće pisca da poveže povijesne događaje sa kulinarskim umijećem i hranom. Isto tako svaka cjelina počinje sa jako zanimljivim receptom, koji su specifični svaki na svoj način, jer govore o načinu spravljanja hrane u davnom 17. stoljeću.Moram priznati da sam se nekim receptima baš nasmijala.( Npr." riba se kuha koliko je dovoljno da izmoliš Zdravomariju", ili "zatim uzmi hladno vrhnje, topli med i ljestve..." ) Sve je to popraćeno bogatim crtežima.
Ova knjiga je jedno pravo malo bogatstvo mirisa i okusa , na koje dok ga čitate nikako nećete ostati ravnodušni.Završit ću sa jednim zanimljivim citatom iz samog kraja knjige: " Jabuka je bila sve što je Eva poslužila Adamu. Ali i to je bila Gozba. "
August 24, 2012
This book had all of the elements that I love in historical fiction, the most important being that as I read the story I felt like I was there in the 17th century kitchen beside John watching him and all of the other workers prepare the food. I love it when I become so engrossed in a story that I feel I am right there with the characters and Norfolk does a wonderful job of bringing this story to life.
Each chapter begins with a recipe written by John that he prepared for the feasts. They were fun to read and the descriptions of the food prepared throughout the book were some of the best I have ever read, and I have read a lot of books about food. It was interesting to read about how the kitchens were run in a large manor and all of the different jobs there were to do.
The other part of the book I enjoyed was the love story between John and Lady Lucretia. Both characters were strong and likable and they had lots of chemistry together which made the book all the more enjoyable.
This is a great book for any historical fiction fan. It is beautifully written, complex, and has a rich setting full of interesting characters. I am very glad that I picked this one to read, I think it will be on my list of favorite books of the year.
Each chapter begins with a recipe written by John that he prepared for the feasts. They were fun to read and the descriptions of the food prepared throughout the book were some of the best I have ever read, and I have read a lot of books about food. It was interesting to read about how the kitchens were run in a large manor and all of the different jobs there were to do.
The other part of the book I enjoyed was the love story between John and Lady Lucretia. Both characters were strong and likable and they had lots of chemistry together which made the book all the more enjoyable.
This is a great book for any historical fiction fan. It is beautifully written, complex, and has a rich setting full of interesting characters. I am very glad that I picked this one to read, I think it will be on my list of favorite books of the year.
March 17, 2016
A rare DNF for me. After a hundred pages the book just wasnt engaging enough. Events where happening but just weren't being presented in an interesting enough way.
A quarter of the way in I just couldn't motivate myself to push on. Two stars rather than one a it wasnt horrendous writing but I've read similar concept historical novels and the others draw you in a lot quicker and this failed to weave that web
A quarter of the way in I just couldn't motivate myself to push on. Two stars rather than one a it wasnt horrendous writing but I've read similar concept historical novels and the others draw you in a lot quicker and this failed to weave that web
Shelved as 'did-not-finish'
January 3, 2017Basically, i just don't have enough patience for books like this. The idea of a magical feast that saves the princess is interesting but I'm 200 pages in and nothing has happened yet... Lots of imaginary food descriptions.
March 19, 2019
My second time reading this book I both enjoyed it more and also saw more of its flaws. I loved the 17th century kitchen, seeing how things were prepared and following John's journey through the ranks, through the war, making his way.
My criticisms would be that the story is too good for characters so under-developed. I wanted to know more about John and Philip and Gemma and Lucretia, they were fleshed out but only to a certain point, only so far as their roles in the story needed them to be, it felt. There were also plot points that didn't resolve in a satisfactory way - the book, the previous cook, John's travels once he left the manor. Things felt either truncated or tacked on and left me wishing for something deeper.
All that said, I still give it 4 stars because I loved the style, the recipes, the idea of the "feast", and certain parts of the story quite a lot! Was glad to read it again.
My criticisms would be that the story is too good for characters so under-developed. I wanted to know more about John and Philip and Gemma and Lucretia, they were fleshed out but only to a certain point, only so far as their roles in the story needed them to be, it felt. There were also plot points that didn't resolve in a satisfactory way - the book, the previous cook, John's travels once he left the manor. Things felt either truncated or tacked on and left me wishing for something deeper.
All that said, I still give it 4 stars because I loved the style, the recipes, the idea of the "feast", and certain parts of the story quite a lot! Was glad to read it again.
January 24, 2016
Ein grandioses Leseerlebnis! Kurzweilig, detailverliebt, spannend. Wie erwartet, handelt es sich um einen historischen Roman. Die Hauptfigur John wächst in einem kleinen, abgelegenen und furchtbar ärmlichen Dorf im Norden Wales in der ersten Hälfte des 17. Jahrhunderts allein mit seiner Mutter auf. Susan ist die Kräuterkundige und Hebamme des Dorfes. Sie wird solange akzeptiert, bis ein religiöser Eiferer das Dorf nach einer Epidemie gegen sie aufwiegelt und sie in die Wälder vertreibt. Erst jetzt wird das Hauptthema deutlich: Auf der Flucht erfährt John von seinem spirituellen Erbe. "Das Festmahl" ist eine heidnisch-gälische Vorstellung, deren Geheimnis John auf Anweisung seiner Mutter nachgeht. Die Suche nach seiner Identität verwickelt ihn in den englischen Bürgerkrieg, eine nicht standesgemäße Liebe und in die Intrigen und Künste, die eine herrschaftliche Küche der Zeit zu bieten hatte. "Das Festmahl des John Saturnall" ist damit eher ein Entwicklungsroman, in dem die historischen Ereignisse als Hintergrund für die innere und äußere Entwicklung des Helden dienen. Zu meinem Lesevergnügen hat beigetragen, dass John ein überaus sympathischer Protagonist ist, neugierig, engagiert, loyal, empathisch, ein bisschen hitzköpfig, dem ich auf seinem abenteuerlichen Weg gerne gefolgt bin. Norfolk gelingt es, sowohl das ärmliche Tal von Buckland als auch dessen Herrenhaus und seine Bewohner so lebendig zu beschreiben, dass man es gar nicht verlassen möchte. Details über die Kochkunst, die Organisation einer Großküche des 17. Jhs. haben mich fasziniert, könnten andere natürlich langweilen, vor allem, weil der Großteil der Handlung in der Küche von Buckland Manor angesiedelt ist und nicht auf den Schlachtfeldern des Bürgerkrieges. Für mich ein eindeutiges Plus! Ich bin vom Eintauchen in die Alltagsgeschichte, in diesen Mikrokosmos begeistert. Um jetzt nicht völlig unglaubwürdig zu wirken, will ich wenigstens einen problematischeren Punkt erwähnen. Manche Handlungsstränge lässt Norfolk ins Leere laufen, es gibt Fragen, die aufgeworfen werden und bis zum Ende offen bleiben. Aber auch das hat für mich das Leseerlebnis nicht geschmälert. Absolute Leseempfehlung für Freunde von historischen Entwicklungsromanen mit Schwerpunkt Alltags-/Küchengeschichte.
September 25, 2013
Lawrence Norfolk llevaba doce años sin publicar una novela, sin duda una larga espera para uno de los escritores con los que más he disfrutado. Ahí está ‘El diccionario de Lemprière’, una de mis novelas favoritas, que recomiendo encarecidamente.
‘El festín de John Saturnall’ es la cuarta y esperadísima novela de este autor británico. Es la historia de la lucha personal de un joven por abrirse camino en un mundo que se lo había puesto todo en contra. Pero también una historia de un amor lleno de dificultades. La historia transcurre en Inglaterra, en el siglo XVII, y el protagonista es John Saturnall, un cocinero que tuvo que huir junto con su madre, acusada de brujería. Entre las pertenencias más preciadas de su madre, se encuentra un libro que narra la historia de un antiguo festín mantenido en secreto durante generaciones. La trama se complicará cuando John llegué a Bucland Manor, la residencia de Sir William Fremantle, y de su hija Lady Lucretia. Resulta interesante que una novela histórica no tenga por protagonista a un soldado o tenga por escenario un ambiente de intrigas palaciegas. El mundo culinario está muy presente y realmente parece que estés entre fogones, utensilios y viandas. Como es habitual, Norfolk se ha documentado exhaustivamente y sabe transmitir con naturalidad todo tipo de gastronomía, de tal manera que a veces es inevitable salivar en según qué plato. El conflicto bélico, político y religioso iniciado por Oliver Cromwell, en esta época tan convulsa, donde primaban la venganza y las persecuciones, también tienen un papel importante en la trama.
Tengo sentimientos encontrados con esta nueva y esperada novela de Lawrence Norfolk. Hay momentos muy brillantes, pero el inicio se hace un tanto monótono, y el argumento sufre de continuos altibajos. Se nota que la cocina es importante en la trama, porque, como los buenos platos, esta se prepara a fuego lento. De igual manera, la novela no tiene la brillantez de los primeros dos libros, donde el ingenio, la imaginación, la erudición y la estructura eran inigualables. Sin ser una obra excepcional, sí creo que es una novela que merece la pena ser leída.
‘El festín de John Saturnall’ es la cuarta y esperadísima novela de este autor británico. Es la historia de la lucha personal de un joven por abrirse camino en un mundo que se lo había puesto todo en contra. Pero también una historia de un amor lleno de dificultades. La historia transcurre en Inglaterra, en el siglo XVII, y el protagonista es John Saturnall, un cocinero que tuvo que huir junto con su madre, acusada de brujería. Entre las pertenencias más preciadas de su madre, se encuentra un libro que narra la historia de un antiguo festín mantenido en secreto durante generaciones. La trama se complicará cuando John llegué a Bucland Manor, la residencia de Sir William Fremantle, y de su hija Lady Lucretia. Resulta interesante que una novela histórica no tenga por protagonista a un soldado o tenga por escenario un ambiente de intrigas palaciegas. El mundo culinario está muy presente y realmente parece que estés entre fogones, utensilios y viandas. Como es habitual, Norfolk se ha documentado exhaustivamente y sabe transmitir con naturalidad todo tipo de gastronomía, de tal manera que a veces es inevitable salivar en según qué plato. El conflicto bélico, político y religioso iniciado por Oliver Cromwell, en esta época tan convulsa, donde primaban la venganza y las persecuciones, también tienen un papel importante en la trama.
Tengo sentimientos encontrados con esta nueva y esperada novela de Lawrence Norfolk. Hay momentos muy brillantes, pero el inicio se hace un tanto monótono, y el argumento sufre de continuos altibajos. Se nota que la cocina es importante en la trama, porque, como los buenos platos, esta se prepara a fuego lento. De igual manera, la novela no tiene la brillantez de los primeros dos libros, donde el ingenio, la imaginación, la erudición y la estructura eran inigualables. Sin ser una obra excepcional, sí creo que es una novela que merece la pena ser leída.
June 3, 2014
Who would have thought a book about food could be so exciting?
Exciting might not be the right word. The novel builds up slowly, and it took me a while to get caught up in the story, but when I finally did, it was a sensory, aesthetic feast that awaited me, intoxicating the senses but also giving me an insight into the time before and surrounding the Restoration in England.
Occasionally, it read a bit like a young adult novel (overcoming small obstacles and conquering enemies, making new friends, falling in love for the first time), although never in a superficial, naïve kind of way but rather as befits a historical novel of literary rather than popular leanings.
I’ve read that one’s vocabulary is challenged/expanded when reading Norfolk, but that isn’t so much the case in this book given that the main character, whom we follow throughout the book, is only 11 when we first meet him, and he becomes an adult only towards the end. This was a good choice, however. I really got to like John Saturnall. (And it’s not quite true about the vocabulary in this book: There is an immense amount of words to do with medieval food that I’d never heard of before. And when, in a friend’s Danish translation of the book, bukkenade becomes bukkenade, camelade becomes camelade, I’m really none the wiser).
I might have liked some more introspection on the part of the characters, so the four-star rating is for the aesthetic feel of the story, for the world in the kitchen, for John Saturnall and for the Heron Boy.
Exciting might not be the right word. The novel builds up slowly, and it took me a while to get caught up in the story, but when I finally did, it was a sensory, aesthetic feast that awaited me, intoxicating the senses but also giving me an insight into the time before and surrounding the Restoration in England.
Occasionally, it read a bit like a young adult novel (overcoming small obstacles and conquering enemies, making new friends, falling in love for the first time), although never in a superficial, naïve kind of way but rather as befits a historical novel of literary rather than popular leanings.
I’ve read that one’s vocabulary is challenged/expanded when reading Norfolk, but that isn’t so much the case in this book given that the main character, whom we follow throughout the book, is only 11 when we first meet him, and he becomes an adult only towards the end. This was a good choice, however. I really got to like John Saturnall. (And it’s not quite true about the vocabulary in this book: There is an immense amount of words to do with medieval food that I’d never heard of before. And when, in a friend’s Danish translation of the book, bukkenade becomes bukkenade, camelade becomes camelade, I’m really none the wiser).
I might have liked some more introspection on the part of the characters, so the four-star rating is for the aesthetic feel of the story, for the world in the kitchen, for John Saturnall and for the Heron Boy.
July 17, 2012
Reading that this book was about food and history I was intrigued have a copy to read. I had not read anything by this author before. I was quickly captivated by the language and descriptions of plants, animals and the life lived by the main characters.
Young John Sandall lives with his mother in the village of Buckland is early 17th century England. He is an outcast as others in the village believe his mother to be a witch, but they still come to her for cures and advise. As young children begin to die, John and his mother are run out of the village and they go far into the woods to live in an abandoned garden. There John's mother teaches him to read her book of recipes and tells him the story of a great feast. John is orphaned and goes to live in Buckland Manor house and begins his journey from lowly kitchen boy to become John Saturnall,one of the greatest cooks known. His unique palate and natural skills take him to lead the household kitchens. He eventually must coax Lucretia, the daughter of the Manor's Lord to eat when she refuses to wed to keep her inheritance. Amidst the Civil War between the King's Cavaliers and Cromwell's Roundheads that threatens the lives of all in the household, John and Lucretia's story unfolds with descriptions of the way people lived and worked and ate. A brilliant work that was over 12 years in the making from a great storyteller.
Young John Sandall lives with his mother in the village of Buckland is early 17th century England. He is an outcast as others in the village believe his mother to be a witch, but they still come to her for cures and advise. As young children begin to die, John and his mother are run out of the village and they go far into the woods to live in an abandoned garden. There John's mother teaches him to read her book of recipes and tells him the story of a great feast. John is orphaned and goes to live in Buckland Manor house and begins his journey from lowly kitchen boy to become John Saturnall,one of the greatest cooks known. His unique palate and natural skills take him to lead the household kitchens. He eventually must coax Lucretia, the daughter of the Manor's Lord to eat when she refuses to wed to keep her inheritance. Amidst the Civil War between the King's Cavaliers and Cromwell's Roundheads that threatens the lives of all in the household, John and Lucretia's story unfolds with descriptions of the way people lived and worked and ate. A brilliant work that was over 12 years in the making from a great storyteller.
October 20, 2014
This is one of the books I got for the cover and in that aspect I don't regret buying it for the full price which is almost the same as a hard cover. For the cover and overall packaging alone I'd give this a five-star rating. Alas, you should never judge a book by its cover. Lol.
I'm not saying this is not a good book. It is. I liked that it was ambitious in a way that it talked about religion and that it's a historical fiction but I thought it had a weak ending. I suppose it was my fault because the plot and the blurb (and the cover!!!) was so promising I expected way too much from it. Especially when John's mother said ... "there's more." I waited (!!!) for that more! Lol. John and Lucy's love story dragged too. I get the whole it's a family thing but ... Yeah. Haha! I also thought there were too many characters here and I can understand the part that the story ran for years but some were probably unnecessary?
Overall, the book had a good start ... and that was it. The most I can give this is a 3.5.
I'm not saying this is not a good book. It is. I liked that it was ambitious in a way that it talked about religion and that it's a historical fiction but I thought it had a weak ending. I suppose it was my fault because the plot and the blurb (and the cover!!!) was so promising I expected way too much from it. Especially when John's mother said ... "there's more." I waited (!!!) for that more! Lol. John and Lucy's love story dragged too. I get the whole it's a family thing but ... Yeah. Haha! I also thought there were too many characters here and I can understand the part that the story ran for years but some were probably unnecessary?
Overall, the book had a good start ... and that was it. The most I can give this is a 3.5.
November 21, 2013
despite some predictable romancey stuff, there is enough surprises, grit, and historical atmosphere that i just loved this book. i coulda swore i already did this review once. i think gr;s is eating my reviews. anyway, can you imagine washing the dishes in a huge castle kitchen in 1620? it werent pretty.
January 7, 2019
Historical fiction of a very high order, set in the days immediately before, during, and after the English Civil War. Norfolk delivers a suspenseful and gripping novel, with some romance and humor to leaven the many harrowing elements in the tale. He’s a great wordsmith, and the book is a feast of sorts in itself, bitter, sweet, and saucy by turns, and thoroughly imbued with its time and place. Memorable and sympathetic characters, truly despicable villains, and a dash of pagan lore add their own spice to the story. I now look forward to reading “Lemprière’s Dictionary” which has sat neglected on my shelves for decades, and “The Pope’s Rhinoceros” which had escaped my attention until now.
August 28, 2019
Lawrence Norfolk weet in zijn boeken telkens een nieuwe fantasiewereld te scheppen. Ook hier worden we ondergedompeld in de magie van een middeleeuws aandoende wereld waarin de kookkunst van John Saturnall centraal staat. En ja ik zou het bijna vergeten: smakelijke hapjes worden het best genuttigd tijdens een zinnelijke liefdesnacht.
Een aanrader.
Een aanrader.
June 8, 2012
This was an electronic advanced reader copy from NetGalley.
I have never read anything by this author before, but asked for the ARC based on the book's description on NetGalley and I received it. It wasn't until I was more than half way through the book that I decided to look up Lawrence Norfolk and learn a little bit more about this writer, and was impressed with his credentials, although I can hardly claim to have a strong interest in reading his other works, as they sound way above what I would be capable of reading and understanding! I was happy I was reading this on my Kindle, since I did use the built in dictionary quite a lot. Norfolk uses a lot of vocabulary you do not generally hear in today's world, most of it referring to more ancient times. This book is set in the 1600's in England, beginning right before the English Civil War. But another added feature of this novel is the ancient language used before each section to describe the "receipts" used for John Saturnall's Feast, essentially, a cookbook.
John Sandall is a lonely little boy who lives with his mother, Shunned by the villages children as a "witch's son," his mother is an herbalist/healer/midwife who is regarded as a w itch by the Puritanical order that has grown up in England after the Reformation and is trying to take over the worship in small villages. The Puritans in the village are fanatical and frightening, and the preacher, Marpot, is a hateful and controlling man who incites the village to violence against John and his mother, even after they have finally been accepted there. John and his mother are forced to flee, while their home is destroyed. They escape the wilderness nearby, surviving on their wits, and his mother continues to educate John to her ways with a special cookbook of sorts that she has managed to save.
A very basic knowledge of the history of England is helpful when reading this book, and I often found myself looking up names and events to learn more about the period, people and places, but Norfolk purposely leaves much of the information provided in the story very vague, almost as if it really doesn't matter, and truthfully, the main characters are the most important ones to try and understand. John ends up at nearby Buckland Manor, as an orphan, but because of his uncanny culinary skills, he is allowed to stay on as a Kitchen Boy, instead of being sent to the poorhouse. There he meets Lady Lucretia, the motherless child of the manor, who often fasts in a passive rebellion against her father. He also meets a whole host of other interesting and important folks that contribute to life at the manor.
This book has quite a complicated plot, and the reader really needs to pay attention to names of places, to the many characters and to the thoughts of the John and Lucy. The writing is extraordinary and the story is quite moving. I loved the way the author manages to keep things happening without becoming stagnant, or stuck in the many plot details, the book has a very natural flow and feeling, and without that, it would be very easy to become mired down by this novel. The last book I read with a plot this complicated was David Mitchell's Cloud Atlas, which I really enjoyed, and the style of writing is similar: many clues and hints are given to the reader from the very start of the novel, and it is usually with hindsight that the reader suddenly recognizes them.
A delightful book, challenging yet fun reading, especially for those who enjoy history and esoteric stories with amazing people, both real and fictional.
I have never read anything by this author before, but asked for the ARC based on the book's description on NetGalley and I received it. It wasn't until I was more than half way through the book that I decided to look up Lawrence Norfolk and learn a little bit more about this writer, and was impressed with his credentials, although I can hardly claim to have a strong interest in reading his other works, as they sound way above what I would be capable of reading and understanding! I was happy I was reading this on my Kindle, since I did use the built in dictionary quite a lot. Norfolk uses a lot of vocabulary you do not generally hear in today's world, most of it referring to more ancient times. This book is set in the 1600's in England, beginning right before the English Civil War. But another added feature of this novel is the ancient language used before each section to describe the "receipts" used for John Saturnall's Feast, essentially, a cookbook.
John Sandall is a lonely little boy who lives with his mother, Shunned by the villages children as a "witch's son," his mother is an herbalist/healer/midwife who is regarded as a w itch by the Puritanical order that has grown up in England after the Reformation and is trying to take over the worship in small villages. The Puritans in the village are fanatical and frightening, and the preacher, Marpot, is a hateful and controlling man who incites the village to violence against John and his mother, even after they have finally been accepted there. John and his mother are forced to flee, while their home is destroyed. They escape the wilderness nearby, surviving on their wits, and his mother continues to educate John to her ways with a special cookbook of sorts that she has managed to save.
A very basic knowledge of the history of England is helpful when reading this book, and I often found myself looking up names and events to learn more about the period, people and places, but Norfolk purposely leaves much of the information provided in the story very vague, almost as if it really doesn't matter, and truthfully, the main characters are the most important ones to try and understand. John ends up at nearby Buckland Manor, as an orphan, but because of his uncanny culinary skills, he is allowed to stay on as a Kitchen Boy, instead of being sent to the poorhouse. There he meets Lady Lucretia, the motherless child of the manor, who often fasts in a passive rebellion against her father. He also meets a whole host of other interesting and important folks that contribute to life at the manor.
This book has quite a complicated plot, and the reader really needs to pay attention to names of places, to the many characters and to the thoughts of the John and Lucy. The writing is extraordinary and the story is quite moving. I loved the way the author manages to keep things happening without becoming stagnant, or stuck in the many plot details, the book has a very natural flow and feeling, and without that, it would be very easy to become mired down by this novel. The last book I read with a plot this complicated was David Mitchell's Cloud Atlas, which I really enjoyed, and the style of writing is similar: many clues and hints are given to the reader from the very start of the novel, and it is usually with hindsight that the reader suddenly recognizes them.
A delightful book, challenging yet fun reading, especially for those who enjoy history and esoteric stories with amazing people, both real and fictional.
June 21, 2017
Норфолка я до этой книги не читала и даже не слышала про такого писателя, так что на все эти инсинуации о несоответствии типичности произведения автору не ведусь и говорю свое мнение - книга хорошà! Хороша от конфликта язычества и религии до описания работы кухни. Вот с последнего и начнем про книгу.
Кухня, повар, Джон Сатурналл. Тонкий гурман, как назвали бы его сейчас, специалист своего дела, говорит, что
Пройдет еще не одно столетие, пока короли и священики не будут приезжать к поварам, правящим свой Пир без указов этих самых королей и священников. Но пока Сатурналл правит Пир во времена Английской революции, заслуживая свое место на кухне английского ленд-лорда и пытаясь заставить есть его строптивую дочь. В послесловии Норфолк благодарит собственника ресторана за информацию о работе кухни и указывает в источниках целых семь поваренных и кулинарных книг, датируемых Средневековьем. Дайте мне хотя бы одну в руках подержать, ну пожалуйста! Кухня Норфолка жива, ее очаг пылает, ее столы ломятся, а кладовые заполнены. Абсолютно реалистичное описание цехов, работы поваров и поварят, важности каждого работника - от поставщика до кладовщика оживляют и прекрасно иллюстрирует кухню Сатурналла. Веришь, не задумываясь, потому что просто живешь в этом раю.
Язычество - отдельная сторона книги. Язычество, так сказать, бытовое - травы смешать так, что бы боль облегчить; роженице помочь - это тоже ересь. Мелкая, но все же достойная того, что бы начать войну и "захватить" целую долину, мы ведь все знаем миролюбвство християн. Но тем не менее, это самое язычество мы до сих творим на собственных кухнях, иногда впадая в алхимию, а иногда и даже в безбожье. Тварь я дрожащая или не буду есть шоколад после шести? Мы добавляем тимьян к картофелю, а корицу в вино и не считаем себя наследниками язычников, это ведь так, мелкое кулинарство. Пусть так. Главное - это нести свой Пир и щедро делить его с окружающими:
Исторический антураж. Его было ровно столько, что бы заинтересовать, но не перенасытить. В самую меру - для создания антуража, для полного раскрытия эпохи и обьяснения мотивов персонажей. В книге были недочеты и оставленные слишком открытыми места, ну и что? В целом, эта книга - любовь. И магия. Или просто кухня.
Кухня, повар, Джон Сатурналл. Тонкий гурман, как назвали бы его сейчас, специалист своего дела, говорит, что
Короли воздвигают свои статуи, священники возводят соборы. Повар же не оставляет никаких памятников, помимо крошек. Редчайшие его творения отправляются под судомойные скребки и щетки. Величайшим его блюдам начертано попасть в выгребную яму.
Пройдет еще не одно столетие, пока короли и священики не будут приезжать к поварам, правящим свой Пир без указов этих самых королей и священников. Но пока Сатурналл правит Пир во времена Английской революции, заслуживая свое место на кухне английского ленд-лорда и пытаясь заставить есть его строптивую дочь. В послесловии Норфолк благодарит собственника ресторана за информацию о работе кухни и указывает в источниках целых семь поваренных и кулинарных книг, датируемых Средневековьем. Дайте мне хотя бы одну в руках подержать, ну пожалуйста! Кухня Норфолка жива, ее очаг пылает, ее столы ломятся, а кладовые заполнены. Абсолютно реалистичное описание цехов, работы поваров и поварят, важности каждого работника - от поставщика до кладовщика оживляют и прекрасно иллюстрирует кухню Сатурналла. Веришь, не задумываясь, потому что просто живешь в этом раю.
Язычество - отдельная сторона книги. Язычество, так сказать, бытовое - травы смешать так, что бы боль облегчить; роженице помочь - это тоже ересь. Мелкая, но все же достойная того, что бы начать войну и "захватить" целую долину, мы ведь все знаем миролюбвство християн. Но тем не менее, это самое язычество мы до сих творим на собственных кухнях, иногда впадая в алхимию, а иногда и даже в безбожье. Тварь я дрожащая или не буду есть шоколад после шести? Мы добавляем тимьян к картофелю, а корицу в вино и не считаем себя наследниками язычников, это ведь так, мелкое кулинарство. Пусть так. Главное - это нести свой Пир и щедро делить его с окружающими:
Ева преподнесла Адаму только яблоко, а это уже был Пир.
Исторический антураж. Его было ровно столько, что бы заинтересовать, но не перенасытить. В самую меру - для создания антуража, для полного раскрытия эпохи и обьяснения мотивов персонажей. В книге были недочеты и оставленные слишком открытыми места, ну и что? В целом, эта книга - любовь. И магия. Или просто кухня.
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May 18, 2015Pripada li Gozba svome kuharu ili svima nama, pitao se John Saturnall, najpoznatiji kuhar Engleske u osvit Građanskog rata. Stvaran ili izmišljen, manje je bitno jer vođen vještom pozadinskom pripovjedačkom rukom Lawrencea Norfolka pretače mirise, okuse i boje s engleskog stola 17. stoljeća u maštovit, kreativan i obilan, ali nikako zamoran i težak, ne samo zalogaj već i cijeli obrok za zahtjevnog čitatelja željnog kvalitetnog teksta. Povijest, naime, često zaboravlja na male priče, male ljude i male povijesti, a upravo su ti „mali“ ljudi i događaji ono što „veliku priču“ čini tako monumentalnom i veličanstvenom. Norfolkov pothvat time je vrijedniji jer je, kroz priču jednog „malog“ čovjeka, sudionika čiji je pogled na Građanski rat bio tek pozadinski, čitatelja suvereno proveo kroz Englesku prije, za trajanja i neposredno nakon svršetka rata.
Gozba unatoč jelima koja tako zorno prikazuje nije kuharica, opisuje povijesna zbivanja, ali nije povijesni roman, a vješto iscrtana ljubavna priča ne čini je sladunjavim ljubavnim romanom. Pa što je onda, pitate se? Gozba Johna Saturnalla upravo je to - gozba pisane riječi. Možete je promatrati kao kesten; očarat će vas svojim toplim bojama, zavesti mirisom, natjerati da se probijete kroz njezin oklop i kao nagradu vam pružiti nježan i sladak plod. A čak i ako vam se neki od aspekata tog iskustva ne svidi, ostali će pružiti nenadmašan čitateljski doživljaj. (Petra Miočić)
Gozba unatoč jelima koja tako zorno prikazuje nije kuharica, opisuje povijesna zbivanja, ali nije povijesni roman, a vješto iscrtana ljubavna priča ne čini je sladunjavim ljubavnim romanom. Pa što je onda, pitate se? Gozba Johna Saturnalla upravo je to - gozba pisane riječi. Možete je promatrati kao kesten; očarat će vas svojim toplim bojama, zavesti mirisom, natjerati da se probijete kroz njezin oklop i kao nagradu vam pružiti nježan i sladak plod. A čak i ako vam se neki od aspekata tog iskustva ne svidi, ostali će pružiti nenadmašan čitateljski doživljaj. (Petra Miočić)
September 19, 2015
Non-trashy historical fiction, yay! And even better, historical fiction about food which obviously I'll love... I especially liked the receipts/extects from Saturnall's book at the beginning of chapters, one thing I'd never really considered before was not having thermometers, or even ovens with temperature settings, so descriptions of heating something until it 'shivers' or even 'so you can touch it but only for a second' (obviously I'm paraphrasing, I don't have my copy with me atm...). Also interesting/useful for further reading were the acknowledgements in the back, apparently Taste: The Story of Britain Through Its Cooking was a big inspiration, plus Norfolk lists several 17th century recipe books.
The only thing I wasn't totally in love with was the sort of mythology/folk tale weaving through the story, it never seemed that convincing to me and then suddenly the entire story hinges around it. But that doesn't ruin the rest of the story.
The only thing I wasn't totally in love with was the sort of mythology/folk tale weaving through the story, it never seemed that convincing to me and then suddenly the entire story hinges around it. But that doesn't ruin the rest of the story.
July 14, 2012
I was so looking forward to reading this after getting a galley at Book Expo America. I hate to say it, but this was 400+ pages of cliches. I found John Saturnall and his mother's story interesting enough (particularly the way it was told--in series, mixed with episodes of his journey to his new home), but that was the highlight for me.
Then this turned into another book where a servant falls in love with his mistress, boy saves girl from attempted rape, girl has his baby although she's marrying someone of her status that her father has chosen for her, girl marries said jerk because her father wants to keep his manor in the family and she can't inherit...the list goes on. I did enjoy the 17th century-style "recipes," although it might have been more interesting to read the author's source material. I hate giving bad reviews, but this just wasn't my cup of tea. I had already read this in many other versions from many other authors.
Then this turned into another book where a servant falls in love with his mistress, boy saves girl from attempted rape, girl has his baby although she's marrying someone of her status that her father has chosen for her, girl marries said jerk because her father wants to keep his manor in the family and she can't inherit...the list goes on. I did enjoy the 17th century-style "recipes," although it might have been more interesting to read the author's source material. I hate giving bad reviews, but this just wasn't my cup of tea. I had already read this in many other versions from many other authors.
This entire review has been hidden because of spoilers.
January 5, 2013
It's not a fantastic book, but I enjoyed it a bit. It follows much of the life of John Saturnall from being cast out of his village with his mother for witchcraft to rising to Master Cook of a noble household. All set to the backdrop of the English Civil War between Charles I and Parliament. The plot and characterization are often simplistic and the author never really follows through on some ideas.
On the other hand I thought Norfolk was quite restrained with certain aspects of the story such as the political background. The Civil War, religious fanaticism, even the romance are more sub-plots that have an impact on the main character's life. The major focus is on the character being a cook. Here the author is restrained as well so the reader doesn't get overwhelmed with recipes and the like so you don't need to be a food aficionado to enjoy it.
To take inspiration from the title, the best way to read this book is to sit back and enjoy the feast.
On the other hand I thought Norfolk was quite restrained with certain aspects of the story such as the political background. The Civil War, religious fanaticism, even the romance are more sub-plots that have an impact on the main character's life. The major focus is on the character being a cook. Here the author is restrained as well so the reader doesn't get overwhelmed with recipes and the like so you don't need to be a food aficionado to enjoy it.
To take inspiration from the title, the best way to read this book is to sit back and enjoy the feast.
January 22, 2015
La raffigurazione della cucina del XVII secolo, nello specifico, è affascinante. Dettagli quasi sensuali, si ha la sensazione di percepire su carta lo sfrigolio dello spiedo e i profumi conturbanti delle spezie. Fuori dalle cucine si stagliano invece puritani fanatici e ubriachi, spettro e vessillo degli integralisti di ogni tempo e credo, adepti del culto, pretendenti codardi, plotoni in combattimento.
Il romanzo di Norfolk colpisce gli avventori in libreria anche per la deliziosa copertina: xilografie giallo rosso dalla linea semplice e dalla texture ruvida, un positivo colpo d'occhio che prepara il lettore ad intraprendere un interessante viaggio tra i boschi stregati di Buccla.. e sulla tavola di un Gran Banchetto.
Il romanzo di Norfolk colpisce gli avventori in libreria anche per la deliziosa copertina: xilografie giallo rosso dalla linea semplice e dalla texture ruvida, un positivo colpo d'occhio che prepara il lettore ad intraprendere un interessante viaggio tra i boschi stregati di Buccla.. e sulla tavola di un Gran Banchetto.
October 8, 2012
My best read of the year so far. I loved the layers of story telling, the descriptions of the food and the whole ambience. I've read quite a few good books this year, but this earns the extra accolade of being one for the favourite shelf and will perhaps stand a re-read to examine some of the layers I didn't quite get this time around.
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