Kintsugi Masque Milano for women and men

Delightful fresh (and cooling) rose with fruity and herbal undertones. It also has an interesting twist in it, something animalic, but still nice and clean. Probably it’s some sort of unique combination of patchouli and leather. It seems simple, but in reality has multiple dimensions like all of Masque Milano perfumes.

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a more fruity Tuscan Leather type without the unpleasant sour leather side

This is a more feminine version of Tuscan Leather. It has a heavy dose of suede and raspberry, but the florals make it easier and more approachable. I love this!

Unpleasant suffocating leather and exhaust gaslike smoke seem at first to destroy the fruitiness and the waxy magnolia.
However, this scent turns better after macerating. I find it very hard to describe Kintsugi. This is typical of Masque Milano perfumes: they are slightly annoying but fascinating and addictive at the same time. They are anything but streightforward; they are created with extreme skill! It's charactesistic of them to take a while to grow on you.

Magnolia is as sweet as honey, slightly powdery and heavy, then slowly turns into a rose fragrance with reduced sugar content but the same heaviness, and finally a warm air mixed with vanilla and violet leaves that exist from beginning to end

The diffusion is good when it is first sprayed out. After 2 hours, it becomes a body fragrance around the surrounding area, and it becomes close to skin after about 3 hours.

Rose version similar to Fresh Cannabis Santal, may be better to wear in winter

I visited Perfumology on a trip to Philadelphia this past spring. Of all the samples I bought and things I tried, it was the spritz of Kintsugi on the back of my hand that was my obsession for the long drive home, and the bottle I needed among the more hyped scents I thought I was there to try.

It’s a unique scent. You can see it in the lack of consensus in the "reminds me of"s above. Despite the notes of leather and raspberry, no one is mentioning the Tom Ford leathers. There's rose and patchouli, but no comparisons to Portrait of a Lady. And rightly so - it's not like them. There's a uniquely earthy/mossy quality, floral-sweetened - flashes of purple, pink and white flowers emerging from damp mossy earth, beautiful and layered and naturalistic.

The concept of Kintsugi resonates deeply the more I've worn it - the art of repairing broken pottery with the joins and lacquer intentionally highlighted, beautiful in themselves, drawing attention to the repaired nature of the piece. There's no shame in being broken, and you can highlight rather than hide those fractures. Kintsugi may not be a "perfect", crowd-pleasing or obvious scent. You wear it to celebrate your flawed uniqueness and all the scars that brought you there.

Also - these Masque Milano bottles are gorgeous, the thick crystal, tactile rubber cap, fantastic sprayer … total joy!

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Scent & Quality: 6/10
Longevity: 8/10
Sillage: 7/10
Creativity & Uniqueness: 4/10
Affordability: 4/10
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Overall: 5.8/10

Whoa…I’m very picky about Rose but this note is beautiful but that suede musty moldy that’s been up in the attic for decades.

Like Sandyde said it’s an interesting scent but I would not want anyone to smell this on me. I might wear my sample at home but not my style.

I want to expand my usual "go-to" wardrobe of masculine-leaning fragrances, etc. I have always LOVED well-balanced floral fragrances, so I'm expanding into florals naturally. I ADORE Acqua di Parma Magnolia Nobile and I'm exploring violet-centric fragrances once again. It was suggested I try Masque Milano Kintsugi...and so I tried it. And so I love it!

Kintsugi opens upfront with a BIG & HUGE flowery magnolia scent, which I LOVE LOVE LOVE!! Yes, citrus is present, along with some cedar. But on my skin I detect mellow, smooth and beautifully bloomed magnolia. Within five minutes, suede arrives but in a very soft leathery way. I am NOT a fan of cashmere-suede perfume bombs but this is heck-YES lovely. Sometimes leathery notes can become overpowering. But this perfume is so well done, the leather-suede note is the a perfect edition to prevent the magnolia from taking over, I suppose. Violets and their leaves & stems emerge, as does some rose. The entire fragrance lands in a benzoin, vanilla, musk & slightly patchoul base, which is lovely lovely lovely. Perfection.

Longevity is fair at 4-6 hours. Silage is moderate and really really nice.

So, despite what one might imagine with the list of notes, Kintsugi does not perform in a heavy, suffocating, or vulgar way. Given the notes, which I love, Kintsugi is practically ethereal and veil-like on my skin. I LOVE THIS STUFF!

Did I say "I love this fragrance?"

Huge surprise given it was an "out-of-the nowhere" recommendation. I ADORE this perfume, I really do!!

This is probably the most well-blended pretty leathery perfume I have ever smelled. It has a dated quality to it. The floral notes are apparent but not as front and center as the suede note. A lot of projection. I think this would smell great on a man but it’s giving grandma on me.

This is a mostly suede fragrance for me, both on paper and on skin. A bevy of soft florals blooms out of the smooth suede, tinged with patchouli and just the slightest touch of amber sweetness. This is a tremendously well-executed feminine leather fragrance, plenty well-balanced for many occasions.

I don't quite get the kintsugi reference, unless it's simply about the amalgam of old and new, or the juxtaposition of contrasting elements.

The lasting power and projection on this is BIG. This is my black leather pants, hair down, dance floor, make a statement perfume.

This is a very neat cyphre. Not screechy, develops classy yet boldly. However i would love this on a men.

Starts as a great rose-violet chypre with a retro patchouli touch and the greenness of magnolia. Moist candied violet as in Dans Tes Bras, with some earthy leathery Bandit undertones which soon starts to dominate.
I have rarely experienced a scent that transforms so radically. 15 minutes later, it's already a mix between Quorum and Narciso Rodriguez for Him (a quotation itself), a bittergreen concoction where magnolia and violet keep humming their after-the-rain chant in the background (more stems, less flowers), and the rose is totally gone, at least on my skin. Two hours later, magnolia reappears on stage less green, more waxy and creamy, a sensual feminine counterpart in this play.
I can see a lot of influences here, more than usual, I can't even spot them all : the already quoted Cabochard, Mitsouko and Magie Noire are all contributing to different facets. I would also add Apres l'Ondee, Vol de Nuit, classic Chanels maybe... and a lot more. There is in fact one possible set of references for the opening of the scent, then another one for its later development.
And I have the feeling that this is deliberate, that this has been the starting point of Kintsugi (great name, by the way): a nod to different classics, a recombination of classic elements, the intention to "rethink" some relics from the past with a bunch of new, state-of-the-art ingredients, to make them live again here and now. Colorizing old black and white photographs, cutting classic dress silhouettes with some hi-tech fabrics.
Too much visible effort though, too complicated, too many postmodern cultural layers for me, almost killing spontaneous joy and appreciation.

Nice lovely unique rose with berries and fruitiness off the top. Truly unique rose, but after some time of wear there’s a mustiness that lingers and becomes stronger than the pleasant opening. Kind of like an old carpet in a basement. I feel self conscious every time I wear this because it smells great when I leave the house but then I’m stuck feeling like I don’t want to get too close to people, cause of that mustiness. Like a shirt that’s been worn for days without washing. That said, the mustiness isn’t necessarily bad…it’s just not what I want to associate my scent with. I still wear this when I’m alone, because it is beautiful. If you are a collector and like to smell unique things, this is a great addition to your collection. Like most of the masque Milano line, they are all incredibly artistic and expertly blended, but a few are challenging to wear and this is one of them. For 35ml bottle tho, it’s worth the try.

I am fascinated with Masque Milano. I love the concepts, the bottles, and the atomizers, which are the best I have ever seen.

I appreciate the artistry of Masque Milano's Kintsugi, but it ultimately smells like a dirty ash tray to me. I imagine that Lucille Ball, who has been called a human ashtray, would have smelled like this. Not my taste, but it is definitely worth sampling to see if it is right for you.

The suede is pronounced as is the magnolia, and these two, and possibly something else, work together to give a vague burning plastic note. The air after plastic has been burnt -- it's not noxious or even unpleasant, it's just there and noticeable. Sorry, not a fan...

Very floral, I find it extremely feminine.
To my nose, this is similar to many generic women's fragrances, based on a suede/fake leather smell
Sillage and performance are out of this world. 10/10

This is a perfectly beautiful chypre with some sweet fruit. But - there is a horrid dirty note that takes over in the drydown! What is it - notes look perfectly innocent - the suede?

Lasting power and sillage are good which is a problem for me as this fragrance makes me feel a bit sick. This house is really hit or miss and I applaud them for not conforming.

WHAT THE HELL IS THIS....!

This is like an old dusty sweet suede! it's like in an attic in a hut in an abandoned forest! Weirdly beautiful indeed! it's cozy and beautifully worm. I get suede, dust, raspberry, violet leaves, bergamot, incense, & maybe magnolia!

This is like the smell of ancient library full of leather dusty books. Amazingly beautiful.

My suede and magnolia love, a neo chypre opening with bergamot and magnolia, with a slightly rough suede and delicate roses in the heart resting on a benzoin and patchouli base. The freshness of bergamot is supported by raspberry leaves (this might be my imagination but I can feel the berries as well) and violet leaves, which add to the velvety feel of the perfume. A must-try for open-minded chypre lovers. And for all perfume lovers in general.

Kind of smells like a perfume trying to capitalise on the success of suede-heavy and fruit perfumes in recent years, it's not bad, but I have similar creations for cheaper and don't feel that this one is unique. I like it, but it's nothing special to me.

3/10

Kintsugi opens with a nice blast of bergamot coupled with a mish-mash of florals; magnolia, rose, violet-leaf, that can be quite overpowering. I disagree with the reviewer below that it only lasts two hours, this is a beast of a fragrance that lasts for an entire day projecting with merely two or three sprays. There is something fruity in the background but you get the feeling that there is too much going on. It's almost an acidic smell and makes it unwearable.

It's a miss for me.

Composition: 2/10
Longevity: 10/10
Projection: 9/10
Value: 4/10

this is SWEET AND FRUITY. seems few reviewers are pointing that out. there is a woody base but I dont like how candy fruity sweet this is.

This is 'Mitsouko' 2.0. The new chypre fragrance for the 21st century. There is bergamot, some flowers, a fruity aspect, but above all there is a base of patchouli-coeur, which is a wonderful earthy material with green and wet facets. No oakmoss is needed anymore when patchouli-coeur is used this way.
Excellent!

I got a free sample of this from Indigo Perfumery with my order (very nice of them btw thanks!)

It opens with woody, medicinal patchouli, minty mothballs, rubber...

After several minutes it turns into sweet florals, dirt, & grass while unfortunately retaining everything else...

You want to know what it smells like to me? Like kids doused themselves with bug spray playing soccer & then tracked grass & dirt into the locker room on their shoes.

Sorry Kintsugi!

it starts off with a really intriguing blend of floral and suede, but once the floral goes, it's a really dense, moist animalic mess that is totally not my scene...
the suede dies down, a bit, but overall, it's too much. the damage has been done.
look, try it for yourself, but, you know, be mindful...

I totally agree with the first reviewer.

The perfume starts with a creamy rosy tone, maybe with a solid creamy-balsamic ground but that’s not the leading role here;

Almost at the same time, a raw starchy note jumped up to the stage, it smells like some sort of vegetable tuber, like a freshly-cut raw potato;

then we quickly head into an abstract creamy-floral-synthetic juice mixture, that cool-tone starchy note retreat to background, but it never disappears, it persists like a gold line in the whole story.

Perhaps that’s what they mean by kintsugi: this is a craft repairing broken ceramic pieces by gluing it back with gold glittered natural paint, usually leaving a gold line on the repaired surface.

After all the flowers gone, we got a dull-looking (almost ashy but not really), still starchy, balsamic-Amber base.

On me this smells like a hybrid between the current Gres Cabochard EdT and Lancome Magie Noire (also the modern ruination, NOT the glorious vintage). It's basically a green and fruity rose chypre with ashtray-like undertones. I could've sworn it contains a bit of blond tobacco, but to my surprise tobacco isn't listed... It's much less "cheerful" than the description and the notes imply. Nothing aquatic or ozonic here. Fans of very hardcore old school chypres might like it, but to me it was sickening. It figures that the performance is quite monstrous too.

Smells like a floral garden. Stems, leaves, flowers. It's not very long-lasting, I only got two hours out of this. Pleasant, green magnolia smell. I will not be purchasing it.

I ordered four samples and Kintsugi was the last one I tried. With the first sniff I was smitten. It stood out from all the samples, and I must say, I was really lucky this time, as every sample was outstanding (Rose de Mai Perris Monte Carlo, Tuberosis and Baliflora from Laboratorio Olfattivo).
Smelling Kintsugi is like inhaling smell of sun rays that went through a fragrant garden. If something like that could exist. There is a slight vegetal note in the opening, like smelling a root vegetable straight out of the soil. This is a surprise and I have no idea where it comes from. It doesn’t last long and it adds an element of something unexpected. Behind it, there is perfectly blended song of flowers, cheerful, happy, bright and unapologetically beautiful flowers. No matter how hard I try I cannot distinguish singular notes. It’s like an abstract flower, like a child of magnolia and rose. With grandparents of vanilla and amber. I also don’t detect patchouli. But maybe that vegetal note is this deconstructed patchouli?
What’s also surprising with this fragrance is that is seems to reveal backwards, like if the top notes were the base and the base was the top and I’m saying that because only after several hours I noticed bergamot.

Edit, few weeks later. After few days of wearing it, I’ve realised I’m not that keen on the dry down. It’s... I don’t know. Somehow... flat. Like if smelling a red brick wall. A carrot and lemon rubbed wall.

Hmmmmmnnnn